- There has been a significant increase in the number of starch-based plastics available for packaging applications.
- Innovative printing processes have allowed traditional effects to be achieved without the use of traditional materials.
- After material reductions have been achieved, sustainability turns to Cradle to Cradle, a methodology that encourages that packaging enhances the environment and human health.
While recently leading a workshop on sustainable cosmetics packaging in Paris, the question again arose, “What is the most sustainable material that we can use?” Those who have worked in sustainability for some time will always give the safe answer of “it depends,” as in “it depends on what you are trying to do with your packaging and what sustainability attributes you are trying to meet.” Different materials will be the best choice depending on whether you are trying to have the packaging recycled, composted or kept for a second use—or to ensure the minimum of damage to the product it contains so that you don’t have to send a second one.
This “less” approach saves Puma 65% of the cardboard used in the previous version, as well as 275 tons of plastic bags and 500,000 liters of diesel from lowered transport needs. It also allows for 60% savings in water, energy and diesel consumption on the manufacturing level alone.
There are even water-soluble solutions from companies such as Plantic that offer a very quick and easy way of disposing of the material—dissolve it in your sink. Starch has the advantage of being low cost (bringing down the cost of biopolymers from their sometimes unaffordable prices), stable in price compared to the seesawing of commodity prices these past few years and, oftentimes, a waste material from other processes such as food production. Expect to see more starch being introduced as a raw material as its use moves from food to beauty packaging.
Inks and Coatings
In the inks and coatings, innovative printing processes that avoid the use of foils (and thus enable complete recycling of the paperboard by simply de-inking) have shown that metals can be removed from packaging decoration without sacrificing metallic effects. One such process has been achieved by Henkel with its Mirafoil product. This liquid coating consists of tiny aluminum platelets applied by flexographic printing, followed by a UV curing step. An additional colored ink layer is added to create any metallic color, and the coating can be applied to precise areas of the packaging. The ink is volatile organic compound (VOC)-free, and can be printed onto any smooth, coated paper surface, including recycled paper, and also onto a variety of polymers.
Reducing energy during the print curing process has been achieved by Roland DG of the Netherlands with its UV-LEC 330/300 process, a low-heat LED UV ink-jet printing process that adds texture and relief to prints using less energy. A variety of materials—paper, synthetic and real leather, textiles, foils, BOPP (biaxially oriented polypropylene), PE, PC and PET films with a thickness of up to 0.039 inches (1 mm)—can be used as printing substrates. The equipment used in this technique can also cut complex graphics after printing with an integrated cutting plotter, and the printed films can be stretched over corners and edges without burr formation or tearing. In addition, matte or glossy transparent coatings can be applied. The multilayering of inks added during this process allows for the creation of an embossed surface effect, much like Braille. For those who want to go one step further than vegetable or soy with their ink choices, Thai company Panorama SOY Ink Co., Ltd. is offering post consumer recycled vegetable oil inks. They consist of 45% post consumer vegetable oil, 21% pigment and 34% rosin; are VOC-free; and have good rub-resistance, high gloss and good color strength. They dry and set faster and have better dot sharpness compared to regular inks, and can be used for printing on paper and plastic.
The ability to thermoform compound curved geometries from paper-based sheets also allows you to do more in terms of shapes and effects, and the Swedish company Billerud has created a product called FibreForm that can do just this. Using FSC-certified wood fibers in a sheet that has good stretchabilty on thermoforming machines, it is suitable for food contact and can be printed and coated for decorative effect.
The Next Step
Recent innovations in materials for packaging continue to allow more to be done with less through lower impact solutions that simply use less. But what happens then? When you have used as little as you can, for example in Poland Spring’s water bottles that use the minimum amount of plastic possible, there is nowhere left to go (assuming you are already using recycled content).
At that point, sustainability turns to the Cradle to Cradle, a methodology that encourages you to do more good rather than less bad by ensuring that the packaging you produce enhances the environment and human health rather than doing a minimum amount of damage.
So improve and innovate as best you can to minimize your impact and do as much as you can with as little as possible. But after that, take a look at how you might redesign using Cradle to Cradle, and consider how you can do much, much more with more to make a positive rather than negative impact on our planet.
Andrew H. Dent, PhD is vice president, library and materials research, for Material ConneXion, a global materials consultancy and library of innovative and sustainable materials.